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Aurora Museum

In: Religion Topics

Submitted By midnightxstar
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An interesting piece in the museum was the painted pottery figure of a kneeling camel standing at a height of 41.5 cm, created during the Tang dynasty (618-907 CE). This piece serves to reflect an important element of the culture during the Tang and Han dynasty as many people travelled by camel under order of the emperor to go west, in the process creating the Silk Road. The result of exploring the west resulted in a great exchange of ideas and culture for China. The west and east were finally connected. A rather striking piece that existed in the museum was the pottery horse-drawn cart with a driver standing at 168 cm, created during the Eastern Han dynasty (25-220 CE). The chariot was one that carried the deceased, drawn by a red holy horse. This horse actually exists in real life. It is much larger than the typical horse and identified by the red color of its sweat. The Chinese believed that this large stallion would lead them into the next life, reincarnation. We can tell the people really believed in the items they were burying with them to bring into the next life because everything was so carefully crafted and perfected. Another sculpture captured my attention as it solidified my understanding of the fengshui we read about in book Chinese Religious Life. This piece was a pottery residential compound from the Ming dynasty (1368-1644). According to fengshui, the gate must always exist on the southwest end with a screen to protect the people from evil spirits. Each unit in the compound is also very angular, forming perfect squares. We noted also that the doors all faced each other, promoting a harmonious life together. When we reached the floor with all the Buddhist statues, it was absolutely fascinating. One that stood out was the seated Buddha, beautifully produced with lacquered wood during the Ming dynasty (1368-1644). They looked slightly different in…...

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